Admit oneNo. 00481
Music Video
One track, one strong idea
from$8,000
- Treatment and casting
- One shoot day, crew of 8
- Edit, grade and sound
- Vertical teasers
Selected films
- 01Salt FlatsFeature film · Ines Varga
- 02The ChairCommercial · Theo Marsh
- 03Night SwimShort film · Ama Boateng
- 04Red RoomMusic video · Kai Moreno
- 05ProjectionistDocumentary · Ines Varga
- 06Last ShowShort film · Theo Marsh
Now previewing2026Two sisters drive across the desert to scatter their father's ashes and find the thing he never told them.8
A Longtake picture
Longtake
Scene 01Take 1
Home
REC01:02:03:0001 / 06Salt Flats — Feature film
We make filmsthat move.
Longtake is a film production studio. We write, shoot and edit commercials, music videos, documentaries and short films for brands, artists and studios.
View
REC01:02:03:0001 / 06Salt Flats — Feature film
We make filmsthat move.
Longtake is a film production studio. We write, shoot and edit commercials, music videos, documentaries and short films for brands, artists and studios.
View
REC01:02:03:0001 / 06Salt Flats — Feature film
We make filmsthat move.
Longtake is a film production studio. We write, shoot and edit commercials, music videos, documentaries and short films for brands, artists and studios.
View
We are a film production studio. We write, we shoot, we cut. Commercials, music videos, documentaries. Every frame made by the same small crew. From the first idea to the final grade.
RECLongtake — Studio reel01:00:12:04
01:00:12:04We are a film production studio.
The studio
Longtake was founded in Los Angeles by two directors and an editor who wanted to make work the way they made their first short: one crew, one room, no hand-offs. Today we are twenty people and we still work that way.
About the studioAbout the studioWe are a film production studio. We write, we shoot, we cut. Commercials, music videos, documentaries. Every frame made by the same small crew. From the first idea to the final grade.
RECLongtake — Studio reel01:00:12:04
01:00:12:04We are a film production studio.
The studio
Longtake was founded in Los Angeles by two directors and an editor who wanted to make work the way they made their first short: one crew, one room, no hand-offs. Today we are twenty people and we still work that way.
About the studioAbout the studioWe are a film production studio. We write, we shoot, we cut. Commercials, music videos, documentaries. Every frame made by the same small crew. From the first idea to the final grade.
RECLongtake — Studio reel01:00:12:04
01:00:12:04We are a film production studio.
The studio
Longtake was founded in Los Angeles by two directors and an editor who wanted to make work the way they made their first short: one crew, one room, no hand-offs. Today we are twenty people and we still work that way.
About the studioAbout the studioLONGTAKE 5219 · 01A ▸
0012 ◂ ARRI Alexa 35 · 2.39:1LONGTAKE 5219 · 02A ▸
0028 ◂ Sony Venice · 1.85:1LONGTAKE 5219 · 03A ▸
0044 ◂ 16 mm · 1.66:1LONGTAKE 5219 · 04A ▸
0060 ◂ RED V-Raptor · 2.39:1LONGTAKE 5219 · 05A ▸
0076 ◂ Canon C500 · 1.85:1LONGTAKE 5219 · 06A ▸
0092 ◂ ARRI Alexa Mini · 2.39:1
0012 ◂ ARRI Alexa 35 · 2.39:1LONGTAKE 5219 · 02A ▸0028 ◂ Sony Venice · 1.85:1LONGTAKE 5219 · 03A ▸0044 ◂ 16 mm · 1.66:1LONGTAKE 5219 · 04A ▸0060 ◂ RED V-Raptor · 2.39:1LONGTAKE 5219 · 05A ▸0076 ◂ Canon C500 · 1.85:1LONGTAKE 5219 · 06A ▸0092 ◂ ARRI Alexa Mini · 2.39:101 / 06
Salt Flats
Feature film · Ines Varga · 2026
Two sisters drive across the desert to scatter their father's ashes and find the thing he never told them.
LONGTAKE 5219 · 01A ▸0012 ◂ ARRI Alexa 35 · 2.39:1Salt FlatsFeature filmLONGTAKE 5219 · 02A ▸0028 ◂ Sony Venice · 1.85:1The ChairCommercialLONGTAKE 5219 · 03A ▸0044 ◂ 16 mm · 1.66:1Night SwimShort filmLONGTAKE 5219 · 04A ▸0060 ◂ RED V-Raptor · 2.39:1Red RoomMusic videoLONGTAKE 5219 · 05A ▸0076 ◂ Canon C500 · 1.85:1ProjectionistDocumentaryLONGTAKE 5219 · 06A ▸0092 ◂ ARRI Alexa Mini · 2.39:1Last ShowShort film
0012 ◂ ARRI Alexa 35 · 2.39:1Salt FlatsFeature filmLONGTAKE 5219 · 02A ▸0028 ◂ Sony Venice · 1.85:1The ChairCommercialLONGTAKE 5219 · 03A ▸0044 ◂ 16 mm · 1.66:1Night SwimShort filmLONGTAKE 5219 · 04A ▸0060 ◂ RED V-Raptor · 2.39:1Red RoomMusic videoLONGTAKE 5219 · 05A ▸0076 ◂ Canon C500 · 1.85:1ProjectionistDocumentaryLONGTAKE 5219 · 06A ▸0092 ◂ ARRI Alexa Mini · 2.39:1Last ShowShort film01 / 06
Salt Flats
Feature film · Ines Varga · 2026
Two sisters drive across the desert to scatter their father's ashes and find the thing he never told them.
LONGTAKE 5219 · 01A ▸0012 ◂ ARRI Alexa 35 · 2.39:1Salt FlatsFeature filmLONGTAKE 5219 · 02A ▸0028 ◂ Sony Venice · 1.85:1The ChairCommercialLONGTAKE 5219 · 03A ▸0044 ◂ 16 mm · 1.66:1Night SwimShort filmLONGTAKE 5219 · 04A ▸0060 ◂ RED V-Raptor · 2.39:1Red RoomMusic videoLONGTAKE 5219 · 05A ▸0076 ◂ Canon C500 · 1.85:1ProjectionistDocumentaryLONGTAKE 5219 · 06A ▸0092 ◂ ARRI Alexa Mini · 2.39:1Last ShowShort film
0012 ◂ ARRI Alexa 35 · 2.39:1Salt FlatsFeature filmLONGTAKE 5219 · 02A ▸0028 ◂ Sony Venice · 1.85:1The ChairCommercialLONGTAKE 5219 · 03A ▸0044 ◂ 16 mm · 1.66:1Night SwimShort filmLONGTAKE 5219 · 04A ▸0060 ◂ RED V-Raptor · 2.39:1Red RoomMusic videoLONGTAKE 5219 · 05A ▸0076 ◂ Canon C500 · 1.85:1ProjectionistDocumentaryLONGTAKE 5219 · 06A ▸0092 ◂ ARRI Alexa Mini · 2.39:1Last ShowShort film01 / 06
Salt Flats
Feature film · Ines Varga · 2026
Two sisters drive across the desert to scatter their father's ashes and find the thing he never told them.
Services
Six ways we roll.
From a three-minute music video to a feature documentary, every job gets the same crew, the same care and one producer who answers the phone.
All servicesAll services- Scene01Take1ProdLONGTAKE
Commercials
commercialFrom $25kTV, cinema and online spots for brands, from one hero film to a full campaign cut-down set.
- From
- $25k
- Turnaround
- 4–8 weeks
You getSee the service- Hero film
- 15s and 6s cut-downs
- Vertical versions
- Stills from set
- Scene02Take1ProdLONGTAKE
Music videos
musicFrom $8kNarrative and performance videos for artists and labels, built around one idea you remember.
- From
- $8k
- Turnaround
- 3–5 weeks
You getSee the service- Full video
- Vertical teasers
- Lyric cut
- BTS reel
- Scene03Take1ProdLONGTAKE
Documentaries
documentaryFrom $40kShort and feature documentaries for brands, broadcasters and streamers, told through real people.
- From
- $40k
- Turnaround
- 3–9 months
You getSee the service- Feature or series cut
- Festival DCP
- Trailer
- Social clips
- Scene04Take1ProdLONGTAKE
Short & feature films
filmFrom $60kDevelopment, production and post for short and feature films, from script to festival premiere.
- From
- $60k
- Turnaround
- 6–18 months
You getSee the service- Final film
- DCP and streaming masters
- Trailer and poster
- Festival strategy
- Scene05Take1ProdLONGTAKE
Branded content
brandedFrom $18kSeries, mini-docs and social films that people choose to watch, made for brands with something to say.
- From
- $18k
- Turnaround
- 4–10 weeks
You getSee the service- Series episodes
- Social cut-downs
- Captions and subtitles
- Thumbnails
- Scene06Take1ProdLONGTAKE
Post-production
postFrom $3kEditing, color grading, sound design and VFX for footage shot by us or by you.
- From
- $3k
- Turnaround
- 1–4 weeks
You getSee the service- Offline and online edit
- Color grade
- Sound mix
- Masters for every platform
Services
Six ways we roll.
From a three-minute music video to a feature documentary, every job gets the same crew, the same care and one producer who answers the phone.
All servicesAll services- Scene01Take1ProdLONGTAKE
Commercials
commercialFrom $25kTV, cinema and online spots for brands, from one hero film to a full campaign cut-down set.
- From
- $25k
- Turnaround
- 4–8 weeks
You getSee the service- Hero film
- 15s and 6s cut-downs
- Vertical versions
- Stills from set
- Scene02Take1ProdLONGTAKE
Music videos
musicFrom $8kNarrative and performance videos for artists and labels, built around one idea you remember.
- From
- $8k
- Turnaround
- 3–5 weeks
You getSee the service- Full video
- Vertical teasers
- Lyric cut
- BTS reel
- Scene03Take1ProdLONGTAKE
Documentaries
documentaryFrom $40kShort and feature documentaries for brands, broadcasters and streamers, told through real people.
- From
- $40k
- Turnaround
- 3–9 months
You getSee the service- Feature or series cut
- Festival DCP
- Trailer
- Social clips
- Scene04Take1ProdLONGTAKE
Short & feature films
filmFrom $60kDevelopment, production and post for short and feature films, from script to festival premiere.
- From
- $60k
- Turnaround
- 6–18 months
You getSee the service- Final film
- DCP and streaming masters
- Trailer and poster
- Festival strategy
- Scene05Take1ProdLONGTAKE
Branded content
brandedFrom $18kSeries, mini-docs and social films that people choose to watch, made for brands with something to say.
- From
- $18k
- Turnaround
- 4–10 weeks
You getSee the service- Series episodes
- Social cut-downs
- Captions and subtitles
- Thumbnails
- Scene06Take1ProdLONGTAKE
Post-production
postFrom $3kEditing, color grading, sound design and VFX for footage shot by us or by you.
- From
- $3k
- Turnaround
- 1–4 weeks
You getSee the service- Offline and online edit
- Color grade
- Sound mix
- Masters for every platform
Services
Six ways we roll.
From a three-minute music video to a feature documentary, every job gets the same crew, the same care and one producer who answers the phone.
All servicesAll services- Scene01Take1ProdLONGTAKE
Commercials
commercialFrom $25kTV, cinema and online spots for brands, from one hero film to a full campaign cut-down set.
- From
- $25k
- Turnaround
- 4–8 weeks
You getSee the service- Hero film
- 15s and 6s cut-downs
- Vertical versions
- Stills from set
- Scene02Take1ProdLONGTAKE
Music videos
musicFrom $8kNarrative and performance videos for artists and labels, built around one idea you remember.
- From
- $8k
- Turnaround
- 3–5 weeks
You getSee the service- Full video
- Vertical teasers
- Lyric cut
- BTS reel
- Scene03Take1ProdLONGTAKE
Documentaries
documentaryFrom $40kShort and feature documentaries for brands, broadcasters and streamers, told through real people.
- From
- $40k
- Turnaround
- 3–9 months
You getSee the service- Feature or series cut
- Festival DCP
- Trailer
- Social clips
- Scene04Take1ProdLONGTAKE
Short & feature films
filmFrom $60kDevelopment, production and post for short and feature films, from script to festival premiere.
- From
- $60k
- Turnaround
- 6–18 months
You getSee the service- Final film
- DCP and streaming masters
- Trailer and poster
- Festival strategy
- Scene05Take1ProdLONGTAKE
Branded content
brandedFrom $18kSeries, mini-docs and social films that people choose to watch, made for brands with something to say.
- From
- $18k
- Turnaround
- 4–10 weeks
You getSee the service- Series episodes
- Social cut-downs
- Captions and subtitles
- Thumbnails
- Scene06Take1ProdLONGTAKE
Post-production
postFrom $3kEditing, color grading, sound design and VFX for footage shot by us or by you.
- From
- $3k
- Turnaround
- 1–4 weeks
You getSee the service- Offline and online edit
- Color grade
- Sound mix
- Masters for every platform
In association with19
Trusted by the people who commission films
Scroll to roll the credits
ClientsNetflix
A24
Nike
Sony Music
Apple TV
Warner Music
Spotify
Hale Furniture
Marlow Cinemas
FestivalsSundance
SXSW
Tribeca
Hot Docs
Cannes Lions
Berlinale
RecognitionVimeo Staff Pick
UKMVA
Clio Awards
Webby Awards
In association with19
Trusted by the people who commission films
Scroll to roll the credits
ClientsNetflix
A24
Nike
Sony Music
Apple TV
Warner Music
Spotify
Hale Furniture
Marlow Cinemas
FestivalsSundance
SXSW
Tribeca
Hot Docs
Cannes Lions
Berlinale
RecognitionVimeo Staff Pick
UKMVA
Clio Awards
Webby Awards
In association with19
Trusted by the people who commission films
Scroll to roll the credits
ClientsNetflix
A24
Nike
Sony Music
Apple TV
Warner Music
Spotify
Hale Furniture
Marlow Cinemas
FestivalsSundance
SXSW
Tribeca
Hot Docs
Cannes Lions
Berlinale
RecognitionVimeo Staff Pick
UKMVA
Clio Awards
Webby Awards
Process
From treatment to final cut.
Every film runs on the same timeline. Scroll it: this is what happens, week by week, from the first call to the masters in your inbox.
Program01:00:00:00
01 / 06 · Weeks 1–2
Pre-production
Treatment, casting, locations and a shot list everyone signs off before a camera is booked.
00:0001:2702:5504:2205:5007:1708:4510:1211:40
V2
TitlesGraphicsCaptions
V1
Pre-productionShootEditGradeSoundDeliver
A1
A2
Music
Process
From treatment to final cut.
Every film runs on the same timeline. Scroll it: this is what happens, week by week, from the first call to the masters in your inbox.
Program01:00:00:00
01 / 06 · Weeks 1–2
Pre-production
Treatment, casting, locations and a shot list everyone signs off before a camera is booked.
00:0001:2702:5504:2205:5007:1708:4510:1211:40
V2
TitlesGraphicsCaptions
V1
Pre-productionShootEditGradeSoundDeliver
A1
A2
Music
Process
From treatment to final cut.
Every film runs on the same timeline. Scroll it: this is what happens, week by week, from the first call to the masters in your inbox.
- 01 · Weeks 1–2
Pre-production
Treatment, casting, locations and a shot list everyone signs off before a camera is booked.
- 02 · Weeks 3–4
Shoot
A calm set with a producer on the call sheet, the director on the monitor and the edit already in mind.
- 03 · Weeks 4–6
Edit
The editor has watched every take. Rough cut, fine cut, then the version you approve.
- 04 · Week 6
Grade
Our colorist gives the film its look, shot by shot, in a calibrated suite.
- 05 · Week 6–7
Sound
Design, music and a final mix for cinema, TV and phone speakers.
- 06 · Week 7
Deliver
Masters, cut-downs, vertical versions and captions, named and ready for every platform.
Directors
The roster
Four directors with their own voice, one production team behind all of them. Pick a frame.
See all directorsSee all directorsDirectors
The roster
Four directors with their own voice, one production team behind all of them. Pick a frame.
See all directorsSee all directorsDirectors
The roster
Four directors with their own voice, one production team behind all of them. Pick a frame.
See all directorsSee all directorsWord from set
What they said
01 / 05
“★★★★★They protected the film when it mattered and pushed it when it needed it.
— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt FlatsThey protected the film when it mattered and pushed it when it needed it. — Ines Varga, Director, Salt Flats
Word from set
What they said
01 / 05
“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt FlatsThey protected the film when it mattered and pushed it when it needed it. — Ines Varga, Director, Salt Flats
Word from set
What they said
01 / 05
“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt Flats“★★★★★They protected the film when it mattered and pushed it when it needed it.— Ines Varga, Director, Salt Flats
— Ines Varga, Director, Salt FlatsThey protected the film when it mattered and pushed it when it needed it. — Ines Varga, Director, Salt Flats
Recognition
Made to be seen.
Our films have played festivals on four continents and picked up a few things on the way. The work that matters most is the work our clients keep sharing.
- films made
- 140
- festival selections
- 38
- awards won
- 12
- SundanceOfficial Selection2026
- Cannes LionsGold · Film Craft2026
- SXSWBest Short Film2025
- TribecaBest Cinematography2026
- Hot DocsAudience Award2024
- UKMVABest Music Video2025
Recognition
Made to be seen.
Our films have played festivals on four continents and picked up a few things on the way. The work that matters most is the work our clients keep sharing.
- films made
- 140
- festival selections
- 38
- awards won
- 12
- SundanceOfficial Selection2026
- Cannes LionsGold · Film Craft2026
- SXSWBest Short Film2025
- TribecaBest Cinematography2026
- Hot DocsAudience Award2024
- UKMVABest Music Video2025
Recognition
Made to be seen.
Our films have played festivals on four continents and picked up a few things on the way. The work that matters most is the work our clients keep sharing.
- films made
- 140
- festival selections
- 38
- awards won
- 12
- SundanceOfficial Selection2026
- Cannes LionsGold · Film Craft2026
- SXSWBest Short Film2025
- TribecaBest Cinematography2026
- Hot DocsAudience Award2024
- UKMVABest Music Video2025
Packages
Pick your ticket
Three ways to start. Every package is a starting point — after a short call you get a treatment and a fixed budget.
Admit oneMost booked
Commercial
A hero spot and every cut-down
from$25,000
- Script and treatment
- Two shoot days, full crew
- Hero film and 6 cut-downs
- Color grade and sound mix
Row DSeat 15Admit one
Admit oneNo. 00555
Documentary
A true story, told properly
from$40,000
- Research and access
- Up to 12 shoot days
- Editor from day one
- Festival-ready masters
Row ESeat 18Admit one
Prices in USD, before travel and usage rights. Every job gets a written treatment and a fixed budget first.
Packages
Pick your ticket
Three ways to start. Every package is a starting point — after a short call you get a treatment and a fixed budget.
Admit oneNo. 00481
Music Video
One track, one strong idea
from$8,000
- Treatment and casting
- One shoot day, crew of 8
- Edit, grade and sound
- Vertical teasers
Row CSeat 12Admit one
Admit oneMost booked
Commercial
A hero spot and every cut-down
from$25,000
- Script and treatment
- Two shoot days, full crew
- Hero film and 6 cut-downs
- Color grade and sound mix
Row DSeat 15Admit one
Admit oneNo. 00555
Documentary
A true story, told properly
from$40,000
- Research and access
- Up to 12 shoot days
- Editor from day one
- Festival-ready masters
Row ESeat 18Admit one
Prices in USD, before travel and usage rights. Every job gets a written treatment and a fixed budget first.
Packages
Pick your ticket
Three ways to start. Every package is a starting point — after a short call you get a treatment and a fixed budget.
Admit oneNo. 00481
Music Video
One track, one strong idea
from$8,000
- Treatment and casting
- One shoot day, crew of 8
- Edit, grade and sound
- Vertical teasers
Row CSeat 12Admit one
Admit oneMost booked
Commercial
A hero spot and every cut-down
from$25,000
- Script and treatment
- Two shoot days, full crew
- Hero film and 6 cut-downs
- Color grade and sound mix
Row DSeat 15Admit one
Admit oneNo. 00555
Documentary
A true story, told properly
from$40,000
- Research and access
- Up to 12 shoot days
- Editor from day one
- Festival-ready masters
Row ESeat 18Admit one
Prices in USD, before travel and usage rights. Every job gets a written treatment and a fixed budget first.
Questions
The script for working with us
Every project starts with the same few questions. Pick one and read the answer the way we would say it on set.
PAGE 01.
INT. LONGTAKE STUDIO — DAY
(choose a line)
- LONGTAKE(smiling)Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
CUT TO:
- How much does a commercial cost?
- Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
- Do you only work with big brands?
- No. We make music videos for independent artists, films for startups and documentaries for non-profits, as well as campaigns for global brands.
- Can you work with footage we already have?
- Yes. Our post-production team edits, grades and mixes footage shot by anyone, and can add pickup shoots where needed.
- Where do you shoot?
- We are based in Los Angeles and shoot anywhere. Recent jobs took us to Utah, Portugal, Lagos and Tokyo.
- How long does a project take?
- A music video usually takes three to five weeks, a commercial four to eight, a documentary three months or more.
- Who owns the footage?
- You do. We hand over masters and project files at the end, with the usage rights agreed at the start written down.
- Do you help with festivals and distribution?
- Yes. We plan festival strategy, prepare DCPs and deliverables, and introduce films to distributors and streamers.
- What cameras do you shoot on?
- Whatever serves the film: ARRI, Sony Venice, RED, 16 mm or a phone. We own a core camera package and rent the rest.
Questions
The script for working with us
Every project starts with the same few questions. Pick one and read the answer the way we would say it on set.
PAGE 01.
INT. LONGTAKE STUDIO — DAY
(choose a line)
- LONGTAKE(smiling)Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
CUT TO:
- How much does a commercial cost?
- Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
- Do you only work with big brands?
- No. We make music videos for independent artists, films for startups and documentaries for non-profits, as well as campaigns for global brands.
- Can you work with footage we already have?
- Yes. Our post-production team edits, grades and mixes footage shot by anyone, and can add pickup shoots where needed.
- Where do you shoot?
- We are based in Los Angeles and shoot anywhere. Recent jobs took us to Utah, Portugal, Lagos and Tokyo.
- How long does a project take?
- A music video usually takes three to five weeks, a commercial four to eight, a documentary three months or more.
- Who owns the footage?
- You do. We hand over masters and project files at the end, with the usage rights agreed at the start written down.
- Do you help with festivals and distribution?
- Yes. We plan festival strategy, prepare DCPs and deliverables, and introduce films to distributors and streamers.
- What cameras do you shoot on?
- Whatever serves the film: ARRI, Sony Venice, RED, 16 mm or a phone. We own a core camera package and rent the rest.
Questions
The script for working with us
Every project starts with the same few questions. Pick one and read the answer the way we would say it on set.
PAGE 01.
INT. LONGTAKE STUDIO — DAY
(choose a line)
- LONGTAKE(smiling)Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
CUT TO:
- How much does a commercial cost?
- Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
- Do you only work with big brands?
- No. We make music videos for independent artists, films for startups and documentaries for non-profits, as well as campaigns for global brands.
- Can you work with footage we already have?
- Yes. Our post-production team edits, grades and mixes footage shot by anyone, and can add pickup shoots where needed.
- Where do you shoot?
- We are based in Los Angeles and shoot anywhere. Recent jobs took us to Utah, Portugal, Lagos and Tokyo.
- How long does a project take?
- A music video usually takes three to five weeks, a commercial four to eight, a documentary three months or more.
- Who owns the footage?
- You do. We hand over masters and project files at the end, with the usage rights agreed at the start written down.
- Do you help with festivals and distribution?
- Yes. We plan festival strategy, prepare DCPs and deliverables, and introduce films to distributors and streamers.
- What cameras do you shoot on?
- Whatever serves the film: ARRI, Sony Venice, RED, 16 mm or a phone. We own a core camera package and rent the rest.
Journal
Notes from the set
How our films get made: the plans, the budgets and the mistakes we only make once.
All storiesAll stories
Behind the scenesSep 10, 20266 min readHow we shot a whole film with one lightNight Swim was filmed on a lake at night with a single LED panel. Here is the plan that made it work.By Ama Boateng
GuideAug 22, 20268 min readWhat a commercial really costs in 2026Shoot days, cast, locations and post: where the money goes in a $25k spot and a $120k one.By Theo Marsh
Behind the scenesAug 3, 20265 min readRed Room: making a one-take music videoA corridor of LEDs, a Steadicam and eleven takes. How Red Room was planned to the second.By Kai MorenoJournal
Notes from the set
How our films get made: the plans, the budgets and the mistakes we only make once.
All storiesAll storiesBehind the scenesSep 10, 20266 min readHow we shot a whole film with one lightNight Swim was filmed on a lake at night with a single LED panel. Here is the plan that made it work.By Ama BoatengGuideAug 22, 20268 min readWhat a commercial really costs in 2026Shoot days, cast, locations and post: where the money goes in a $25k spot and a $120k one.By Theo MarshBehind the scenesAug 3, 20265 min readRed Room: making a one-take music videoA corridor of LEDs, a Steadicam and eleven takes. How Red Room was planned to the second.By Kai MorenoJournal
Notes from the set
How our films get made: the plans, the budgets and the mistakes we only make once.
All storiesAll stories
Behind the scenesSep 10, 20266 min readHow we shot a whole film with one lightNight Swim was filmed on a lake at night with a single LED panel. Here is the plan that made it work.By Ama Boateng
GuideAug 22, 20268 min readWhat a commercial really costs in 2026Shoot days, cast, locations and post: where the money goes in a $25k spot and a $120k one.By Theo Marsh
Behind the scenesAug 3, 20265 min readRed Room: making a one-take music videoA corridor of LEDs, a Steadicam and eleven takes. How Red Room was planned to the second.By Kai MorenoStart a project
Let's make your film.
Tell us about the film, the spot or the video. A producer replies within a day, and you get a treatment and a fixed budget within a week.
- Reply within 1 day
- Treatment in a week
- Fixed budget
Start a project
Let's make your film.
Tell us about the film, the spot or the video. A producer replies within a day, and you get a treatment and a fixed budget within a week.
- Reply within 1 day
- Treatment in a week
- Fixed budget
Start a project
Let's make your film.
Tell us about the film, the spot or the video. A producer replies within a day, and you get a treatment and a fixed budget within a week.
- Reply within 1 day
- Treatment in a week
- Fixed budget